Guest curator Karen Tam gives a virtual tour of Griffin Art Project’s current exhibition “Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections”. This exhibition brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Paul Caron, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others. Complementing the artworks are artefacts and materials from family and institutional archives, as well as a robust public programming. This exhibition aims to question how narratives are constructed around the idea of Chinatown and the colonial notions that underwrite some of these relations.

Karen Tam is a Montreal-based artist and curator whose research focuses on the various forms of constructions and imaginations of cultures and communities, through her installation work in which she recreates spaces of Chinese restaurants, karaoke lounges, opium dens, curio shops and other sites of cultural encounters. Since 2000, she has exhibited her work and participated in residencies in North America, Europe, and China. Tam holds a MFA in Sculpture from The School of the Art Institute of Chicago and a PhD in Cultural Studies from Goldsmiths (University of London). She is a contributor to Alison Hulme (ed.) book, The Changing Landscape of China's Consumerism (2014) and to John Jung's book, Sweet and Sour: Life in Chinese Family Restaurant (2010). She is represented by Galerie Hugues Charbonneau.